
I
can't remember how old I was when I started reading Roald Dahl, what my
first book by him was, or why I read his novels (I guess most kids did
back then), but I loved him all through my childhood, and of all his
characters, I like Matilda best. A couple of years ago I bought the
Roald Dahl Complete Collection (you can get it here
for £15.99, probably the best investment you'll ever make) and reading
the stories as an adult is just as good as reading them as a kid. The
wonder, fantasy, and imagination in Dahl is more brilliantly deployed
than by any other author I can think of. And Matilda is just such a
beautiful tale that reading it makes me remember all over again what a
great place the world can be. A world filled with evil headmistresses,
hateful parents, torture chambers filled with broken glass, and
fratricide, yes, but somehow it's so easy to put all of this to one side
and wallow in the wonder and joy of Matilda's wide-eyed view of things.
The
musical is just the same. I actually first saw it when it premiered in
Startford-Upon-Avon in 2010, and at the time I thought that it was good
enough to go to London. The script by Aussie comedian Tim Minchin is
superb: it fuses all the best bits of the novel with a bit of extra
stuff that weaves perfectly into Dahl's story, and all the songs seem as
if they could just as easily have been written by Dahl himself. The
Trunchbull is brought brilliantly to life, played lispingly by a burly
bloke (Bertie Carvel) and as much a fan of swinging girls round by their
pigtails as she is in the novel. All of the actors are great and
seemingly tailor-made for their parts, including Paul Kaye (Dennis
Pennis) as the shady and stupid Mr Wormwood. It makes me so happy that a
new generation of kids are being introduced to a little girl as great
as Matilda, and I hope it's performed for years to come.
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