
Things
like the main character receiving a sleeping potion to feed to her
unknowing friend to knock him out while she riskily retrieves an
antidote to heal him, how do you get that deceit into a film without
some horrible talking-to-camera or unnatural-talking-aloud moment?
Conversely, although it's great to sink into your imagination and bring a
world to life, isn't it just as wonderful to see a film-maker's vision
of that world, fully-formed in front of you. The love interests are
quite cringey to read in the book but more realistic than in the film,
where they sometimes feel as if they are shunted in because every teen
story needs a love triangle. At least there are no vampires. The book is
told relentlessly from a first-person view, and I think it would be
improved if you had snippets from other characters and an overview of
the programming itself as you see in the film, but then you lose some of
the intimate voice of Katniss. A film will never be able to allow you
into the head of a character in quite the way that a book can, and books
leave a lot more open to interpretation in the mind of the reader. But
at the end of the day, what does it really matter? Films and the books
that inspire them are two sides of the same coin, and they work together
in bringing the world of the story to life. The only truly horrible
thing about seeing a film of a novel is having to picture the novel's
characters as the actors playing them if you read the book second. It's
always difficult (Or near impossible) to objectively judge how well
either works as a standalone piece of art, as you don't get the benefit
of a virgin viewing of both, but in this case there seem to be enough
themes that each works by itself and together in tandem.
Although
obviously being chosen to take part in the Games and having to murder a
load of people or die yourself wouldn't be much fun, I can't help but
thinking that in many ways the world of The Hunger Games seems a pretty
decent place to live in. The horrors of Capitalism have been removed
from the world, and if you can avoid getting into trouble it seems a
more peaceful way of life, hunting and gathering in the wild to survive.
Big Brother doesn't seem as interfering or dominating as He does in
other dystopian fiction, and in many ways life seems to have regressed
back to a more simple form, away from work and money and cars and greed.
Maybe when I get into the second book of the trilogy I'll find more
reasons to fear the regime, but right now, other than the fact that they
randomly slaughter twenty kids a year for no good reason, the rulers of
Panem seem like a great bunch of lads.
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