
At
first I marvelled at how some books inspire this compulsive
readability, this all-consuming need to push on and on until there's
nothing left of the story, and I puzzled over how I could bring this
insatiability to my own work. But then I realised that this might not
always be such a great thing. I like the fact that a lot of books I read
have asides that make me pause for thought, that they have plots that
demand contemplation, that I live in a book for a week or two and get
completely consumed by the story and characters, that the sentences are
constructed with such care that sometimes I have to read them a second
time to get their full meaning and entire benefit of their wisdom. With
Catching Fire the words flew by in a blur, there were no clever and
intricate metaphors and pause-for-thought moments, everything was just
geared towards making you want to finish it as soon as possible and move
on to the next one.
Even
as I read Catching Fire I was aware of the flaws in it: that the two
male lead characters are very similar, that the book can occasionally be
cringey in its descriptions of sexual feelings and relationships, that
really there's not much need for the events of the book to take place at
all. But that doesn't mean it isn't a thrilling, five-star read, packed
with fun and excitement. In fact, if it was a bit more complex and
challenging these problems might be bigger stumbling blocks, could take
some of the shine off the story's juggernautical brilliance. As it is
though, I read Catching Fire so quickly that all I could think at the
end was "wow, that's cool" and now I've moved on to a Steinbeck that
makes me stare out of the window and contemplate society. It's almost as
if books you read really quickly and books you don't are two different
art-forms, and each remind you just how great the other is.
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