
I
recently read an article discussing how odd it is for people to proclaim
authors as being brilliant, or among their favourites, when they had
read just a tiny amount of their output, usually only one or two novels.
I have been doing this myself for years, mostly with writers that I
liked while I was at university. For example, I often cite Joseph Heller
as being one of my favourite authors, when what I should really say is
that Catch-22 is one of my favourite books. Even though Catch-22
absolutely blew me away when I first read it, and has done the same
after three re-readings, even though it's easily the funniest novel I've
ever read, one of very few to make me genuinely laugh out loud, and on
nearly every page too, I have never read anything else by Joseph Heller,
and at this point in time I don't intend to. This is one of the funny
things about literature: if I hear a brilliant album by a band, there's
no way I could leave the rest of their repertoire unheard forever, but
I'm perfectly comfortable doing this with Heller, and plenty of other
authors whose books I've really enjoyed. I'm not sure exactly why this
is. Of course, I've heard that Catch-22 is by far and away Heller's best
book, but still, I usually would like to see for myself if his others
are any good rather than just accepting this as fact, especially
considering how much I love Catch-22. There just seems to be some
invisible brain-switch that flips when I get to the end of a novel that
tells me, regardless of the quality of that particular book, whether I
want to read more by this author or not.
Just
recently, I've begun to get into a couple of authors and actually feel
the desire to read a number of their books, to immerse myself in their
thoughts and feelings and worldviews, and devour their entire publishing
history. Haruki Murakami is the best example of this, perhaps even more
so because I didn't actually love the first two books of his that I
read, they just really made me want to see more of what this intriguing
novelist had to say. I kept going and came to The Wind-up Bird
Chronicle, which encapsulated everything that I thought could have been
amazing about the first two books I'd read but was just slightly
missing, and Wind-up Bird was so good it's encouraged me to make my way
through his canon until I've taken in every word he's ever printed. At
the moment I'm reading 1Q84, his latest work, and with each chapter I
feel as if I'm understanding him more as an author and person. I'd love
to go back and read the first two books I read by him, because I'm sure
now that I'm a devoted fan, I'd like them all the more.
So
it's odd: some authors are lost inside their greatest works and you
feel no need to go any further, while others produce a body of work that
holds together and elevates each individual piece to a level that it
cannot reach alone. I'll have to stop thinking of Joseph Heller as one
of my favourite authors, and just leave Catch-22 alone on its pedestal
as one of my favourite books.
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